25,757 Royalty-Free Audio Tracks for "Midi Files Of Piano Music"

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Militärdrums aus dem ELP-Titel "Aquatarkus"
Author: Carl Palmer
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Scale of the Mixolydian mode starting on C [ogg vorbis sound file]
Author: Aidan Hanrath
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00:36
Beginning of the adagio of Franz Schubert's piano fantasia D.760 Début de l'adagio de la fantaisie pour piano D.760 de Franz Schubert
Author: Romainbehar
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03:54
The Entertainer by Scott Joplin recorded live by User:IE in September 2007, without a metronome. Keyboard used: Casio WK-3300 electronic keyboard Conversion to Ogg Vorbis format: Amadeus software
Author: Untitled
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02:14
Georg Friedrich Händel: Ombra mai fu ("Largo")
Author: Georg Friedrich Händel (sound file: Rabanus Flavus)
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00:09
Intricate ornamentation in Op 27, No 2
Author: Chopin, Karl Klindworth (1830-1916) Franz Xaver Scharwenka (1850-1924)
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00:09
Maple Leaf Rag seventh chord resolution. Created by Hyacinth (talk) using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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00:06
D♭7♯11 chord = G7alt chord.
Author: Created by Hyacinth (talk) 15:48, 15 July 2008 in Sibelius.
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Period (two phrases) from Beethoven's Piano Sonata in C Minor, Op. 13 (Pathetique), second movement.
Author: Untitled
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03:37
I made this midi file; it is a performance of an In Nomine by John Bull, an English composer who died in 1628.
Author: No machine-readable author provided. DavidCooke~commonswiki assumed (based on copyright claims).
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01:34
Jean-Philippe Rameau: "Tambourin". 1724, from Pièces de clavecin avec une méthode pour la mécanique des doigts
Author: midi sequence by Ricardo André Frantz (User:Tetraktys Arrangement changed and ornaments done by myself)
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02:55
Francesco Durante: Vergine tutto amore.
Author: midi sequence by Ricardo André Frantz (User:Tetraktys)
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04:51
BerceuseVeronica van der Knaap, Public Concert, Christchurch, New Zealand
Author: Untitled
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00:33
First bars of score from barcarolle (year: 1845) of Chopin. I made its simulation using guitar pro.
Author: AlleinStein
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Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.
Author: Created by Hyacinth (talk) 06:08, 6 July 2009 using Sibelius 5.
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Secondary dominants in Beethoven's Symphony No. 1, introduction.
Author: Untitled
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Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.
Author: Claude Debussy
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Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.
Author: This file is lacking author information.
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This file has no description, and may be lacking other information. Please provide a meaningful description of this file.
Author: Original uploader was Paulnasca at en.wikibooks
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Trecho do 3º movimento do concerto para piano nº1 de Bela Bartók
Author: Aron Letchacovski Zavelinski
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04:60
A piece from Johann Sebastian Bach's Goldberg Variations, released by the Open Goldberg Variations project.
Author: Composer: Johann Sebastian Bach; Performer: Kimiko Ishizaka
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00:14
Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.
Author: . The original uploader was Hyacinth at English Wikipedia.
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01:41
Uns ist ein Kind geboren, BWV 142 - 2 Uns ist ein Kind geboren
Author: Original: Unknown; attributed to Johann Kuhnau and Johann Sebastian BachMIDI: D. Benjamin Miller
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Uns ist ein Kind geboren, BWV 142 - 1 Concerto
Author: Original: Unknown; attributed to Johann Kuhnau and Johann Sebastian BachMIDI: D. Benjamin Miller
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Uns ist ein Kind geboren, BWV 142 - 6 Immanuel
Author: Original: Unknown; attributed to Johann Kuhnau and Johann Sebastian BachMIDI: D. Benjamin Miller
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00:56
Uns ist ein Kind geboren, BWV 142 - 5 Jesu, dir sei Dank gesungen
Author: Original: Unknown; attributed to Johann Kuhnau and Johann Sebastian BachMIDI: D. Benjamin Miller
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00:56
Uns ist ein Kind geboren, BWV 142 - 7 Jesu, dir sei Preis gesungen
Author: Original: Unknown; attributed to Johann Kuhnau and Johann Sebastian BachMIDI: D. Benjamin Miller
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01:16
Uns ist ein Kind geboren, BWV 142 - 8 Alleluja, Alleluja, gelobet sei Gott
Author: Original: Unknown; attributed to Johann Kuhnau and Johann Sebastian BachMIDI: D. Benjamin Miller
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01:33
Uns ist ein Kind geboren, BWV 142 - 3 Dein Geburtstag ist erschienen
Author: Original: Unknown; attributed to Johann Kuhnau and Johann Sebastian BachMIDI: D. Benjamin Miller
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00:55
Auprès de ma blonde
Author: Melody: trad.; setting & sound file: Rabanus Flavus (Peter Gerloff)
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Uns ist ein Kind geboren, BWV 142 - 4 Ich will den Namen Gottes loben mit einem Liede
Author: Original: Unknown; attributed to Johann Kuhnau and Johann Sebastian BachMIDI: D. Benjamin Miller
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06:17
Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  
Author: (See Musopen for author information)
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Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.
Author: (See Musopen for author information)
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